Those wildly ingenious and boundary-bursting tales exhibit interesting and unforeseen own responses to the alterations raging via today's Japan. in addition to a few of the world's most famous eastern authors, electronic Geishas and speaking Frogs contains many writers making their English-language debut.
Introduction by means of Pico Iyer
1 The Floating woodland by way of Natsuo Kirino
—Struggling along with her well-known father's legacy as a author, a daughter learns to place the earlier at the back of her.
2 The Bonfire by way of Toshiyuki Horie
—Collecting kerosene lamps in the course of her travels permits a lady and her husband to accomplish a distinct commemoration in their son's death.
3 Ikebukuro West Gate Park by way of Ira Ishida
—Slackers and freeters populate a Tokyo park and underground haunts the place vigilante justice rules.
4 To Khabarovsk through Yoko Tawada
—A educate journey turns into a fantastical trip and dreamscape jam-packed with discovery.
5 As advised via a Nocturnal Witness by means of Jungo Aoki
—Wry observations approximately ladies, cats, and relationships.
6 Super-Frog Saves Tokyo via Haruki Murakami
—A colossal frog attempts to avoid wasting Tokyo from an coming near near earthquake.
7 The Diary of A Mummy by means of Masahiko Shimada
—Tired of society, a guy retains a diary whereas following his personal course of escape.
8 the feminine Novelist by means of Maki Kashimada
—A misanthropic novelist with everlasting writer's block stocks her discontent with the world.
9 the ocean through Yoko Ogawa
—Awoman brings her fiancé domestic to satisfy her strange kin who stay by way of the sea.
10 The No Fathers membership by means of Tomoyuki Hoshino
—Participants during this membership stick with certain ideas while conversing approximately their lacking fathers.
11 Delilah by means of Hitomi Kanehara
—A depressed girl reveals intercourse, medications and liberation in a Tokyo bar room.
12 My a bit Crooked Brooch via Noboru Tsujihara
—A girl offers her husband permission to reside along with his mistress for thirty years.
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Extra resources for Digital Geishas and Talking Frogs: The Best 21st Century Short Stories from Japan
Interpersonal and relational analysts, this criticism goes, tend to discuss with their patients what is most easily available; and so treatment tends to be constituted by superficial, rational discussion. Thoroughgoing change, which requires the acceptance and encouragement of less comfortable, rational, and accessible material, is thereby sacrificed. And so one of my intentions in these introductory remarks is to reply to all such views, not just that of Peltz and Goldberg. I focus on their piece not because its content is unique, but because it is a convenient, thoughtful, and lucid expression of a critical view of interpersonal/relational psychoanalysis that is commonly held by analysts of other schools.
This critical view is sometimes explicitly stated, more often only implied. Peltz and Goldberg’s criticism is among the implicit versions; they do not suggest in so many words that an interest in clinical interaction leads to superficiality. But others do suggest just that. More often than not, such claims are made in private conversations, usually conversations with those who feel the same way. But such views do sometimes find their way into print. Let me quote two recent examples to illustrate what I mean.
The clinical report—was significantly shaped by the clinician’s understanding of the formative unconscious phantasy in his patient’s mind. At the same time, the analyst’s subjectivity was completely missing from his clinical account, revealing the absence of a conception of the field. , as if it were “endogenous,” without regard to its place in the analytic interaction—was feasible at least partly because of this absence. Chapter 8, “Implicit theories of technique and the values that inspire them,” suggests that many of our theories of technique come about spontaneously (emergently), growing from value commitments that we may or may not have thought through.