By San Antonio Museum of Art

What larger strategy to examine shades than with attention-grabbing artworks? With artwork from throughout Latin the USA and past, kids becomes armchair global tourists and artwork connoisseurs. This bilingual variation introduces early readers, and previous listeners, to colours in either English and Spanish.

One within the sequence of bilingual board books known as Arte little ones that still contains 1, 2, three, Si! (an creative exploration of numbers) and hi Círculos! (featuring shapes within the arts).

Art for this ebook was once chosen from the gathering of the San Antonio Museum of paintings, one of many prime artwork museums within the usa with a suite spanning a vast variety of background and global cultures.

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Extra resources for Colores Everywhere!: Colors in English y Espanol

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Así como la escritura permitió aliviar la carga impuesta por la tiranía de la necesidad de archivar todo en la memoria para no perder nada de lo elaborado y acumulado, con la marcha del tiempo también las sociedades cerradas, face to face, pudieron abrirse hacia la negación del devenir preestablecido. No obstante la libertad de errar y sus beneficios nunca se presentaron con tanta evidencia como a partir del uso de la computadora. La velocidad de las conexiones informáticas realmente provoca vértigo pues, sin lugar a duda, pueden superar la velocidad de las conexiones sinápticas.

Sea como fuere es como lo elegimos. Sea como fuere esta realidad, la creamos nosotros y uno de sus factores básicos es la eternamente misteriosa cuestión del tiempo. Elucida Borgas que "El tiempo es un problema para nosotros, un tembloroso y exigente problema, acaso el más vital de la metafísica; la eternidad, un juego o una fatigada esperanza", (el tiempo) "es una imagen móvil de la eternidad" y, a su vez, "la eternidad es una imagen hecha con sustancia de tiempo". Borges plantea la temible verdad: "El universo ideal (...

La tensa y estimulante relación que se produce entre el artista y la materia estimula y provoca la creación: se logrará el objetivo anhelado gracias a esta unidad dinámica y generadora. La técnica y la experiencia posibilitan que el lenguaje sea lo justo y adecuado a la materia elegida. La escultura Curvas y líneas (1946) de Enio lommi, muestra la fuerza lograda por la interacción que se alcanza entre el artista y los materiales que, en este caso, son acero y madera. :: :; > Entre la idea, el artista y la materia se establece una interacción algunas veces atormentada y angustiante pero a la vez activa y vigorosa.

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