By Oscar Ojeda Riera;James McCown

Architecture intimately: Colors examines how colour performs a job in even the main upscale architectural designs. The sequence itself examines the function of information in modern structure during the paintings of many rising and verified practitioners whose initiatives converse sensitively and energetically on a small scale. colour is simply one other a kind of info architects use to place their own

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Walls and columns were given a glossy finish and the floor is a highly reflective epoxy. The result is kind of a house of mirrors rendered in pure white—even the slightest visual occurrence from the windows is reflected in minute detail. The entire space becomes a theater of reflected images and refracted light. white 33 Steven Holl Architects, Kiasma Museum, Helsinki, 1998. Many of the white interior forms resemble ice formations, appropriate for a country in the far northern latitudes. Lacking extraneous color, the minor imperfections apparent in the poured-in-place concrete and plaster surfaces make for a variety of architectural experiences.

The result is kind of a house of mirrors rendered in pure white—even the slightest visual occurrence from the windows is reflected in minute detail. The entire space becomes a theater of reflected images and refracted light. white 33 Steven Holl Architects, Kiasma Museum, Helsinki, 1998. Many of the white interior forms resemble ice formations, appropriate for a country in the far northern latitudes. Lacking extraneous color, the minor imperfections apparent in the poured-in-place concrete and plaster surfaces make for a variety of architectural experiences.

White 33 Steven Holl Architects, Kiasma Museum, Helsinki, 1998. Many of the white interior forms resemble ice formations, appropriate for a country in the far northern latitudes. Lacking extraneous color, the minor imperfections apparent in the poured-in-place concrete and plaster surfaces make for a variety of architectural experiences. Seen in detail, the forms themselves appear like individual abstract sculptures. 34 white Rockwell Group, Cirque du Soleil, Walt Disney World, Florida, 1999. It is hardly a coincidence that traditional desert tents were white – the lightness of the structures helped fend off the merciless sun.

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